Batman Issue 28 (2017)

Publisher: DC Comics Published: September 22, 2025

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Batman Issue 28 (2017)

Batman Issue 28 (2017), part of The War of Jokes and Riddles arc, escalated the chaos of Gotham into full-blown war. While earlier chapters showed the psychological games and tragic fallout of Joker and Riddler’s conflict, this issue pulled no punches—it was Gotham in flames, an urban battlefield where villain armies clashed under their chosen banners. In doing so, Batman Issue 28 (2017) highlighted the destructive extremes of Gotham’s underworld and the futility of the citizens, police, and even Batman himself in containing the carnage.

From the very first pages, Batman Issue 28 (2017) showed Gotham transformed into a war zone. Streets were littered with debris, buildings bore scars of constant skirmishes, and the air of despair weighed heavy. Joker’s faction and Riddler’s faction fought openly, their respective lieutenants leading armies of rogues and killers. Deadshot and Deathstroke, two of the deadliest assassins in the DC Universe, became the central figures of this issue, as their rivalry embodied the larger chaos ripping Gotham apart.

The Deadshot vs. Deathstroke duel in Batman Issue 28 (2017) was nothing short of spectacular. For days, their battle raged across the city, with casualties mounting at an alarming rate. Innocent bystanders, police officers, and low-level henchmen fell victim to their precision violence. The creative team didn’t shy away from the brutality—Tom King’s narration, filtered through Batman’s retrospective guilt, made it clear that this wasn’t a war with clean victories. Gotham bled with every shot fired and every blade swung.

What set Batman Issue 28 (2017) apart was its sense of exhaustion. Unlike flashy action set pieces in typical superhero comics, this wasn’t exciting—it was relentless, overwhelming, and emotionally draining. Deadshot and Deathstroke’s fight stretched to such extremes that their weapons became extensions of their rage, their duel spiraling into a metaphor for the endless cycle of Gotham’s violence. Batman, narrating these events to Catwoman, admitted his failure: he couldn’t stop it, not in time, not enough. His power had limits, and this war exploited every one of them.

In terms of narrative structure, Batman Issue 28 (2017) functioned as a war chronicle. It wasn’t about grand strategy or morality—it was about survival. Citizens of Gotham were trapped between Joker’s cruelty and Riddler’s calculating ruthlessness. For them, there was no choice of allegiance, only suffering. King’s writing made clear that this was not just a war between villains—it was a war inflicted on Gotham itself.

Selina’s presence during Batman’s narration in Batman Issue 28 (2017) provided an important emotional counterpoint. As Bruce relayed the atrocities, his tone was heavy with regret, while Selina listened with quiet empathy. Their dynamic reminded readers that this wasn’t just history—it was a confession, a reckoning with mistakes and consequences. Batman wasn’t glorifying his actions or excusing them; he was exposing his vulnerability to the person who mattered most.

Visually, Batman Issue 28 (2017) was grim and unflinching. Mikel Janín’s artwork captured the scale of destruction with haunting clarity. Explosions lit the night skies of Gotham, blood splattered across crumbling walls, and every panel carried the weight of violence that couldn’t be undone. The duel between Deadshot and Deathstroke was choreographed with cinematic intensity, their movements brutal yet precise. But beyond the action, Janín excelled in depicting the devastation around them—the faces of terrified citizens, the exhaustion in Batman’s eyes, the hopelessness etched into Gotham’s landscape.

One of the most poignant aspects of Batman Issue 28 (2017) was how it reinforced the theme of futility. Joker and Riddler weren’t fighting for justice, power, or even dominance—they were fighting to prove a point, to outlast one another. In the process, they destroyed lives without hesitation. Deadshot and Deathstroke symbolized that futility—two professionals locked in a cycle of violence that ultimately meant nothing, except for the blood left behind.

By the closing pages of Batman Issue 28 (2017), the war had claimed hundreds of lives, and yet nothing was resolved. Joker still laughed at the carnage, Riddler still plotted with cold efficiency, and Batman still stood on the sidelines, trying and failing to prevent further devastation. The issue ended not with victory but with exhaustion, driving home that Gotham’s wars leave only scars, never triumphs.

In conclusion, Batman Issue 28 (2017) was one of the darkest and most devastating entries in The War of Jokes and Riddles. By centering the narrative on Deadshot and Deathstroke’s endless duel, it captured the senselessness of villain wars and the collateral damage inflicted on Gotham. Tom King’s narration, paired with Mikel Janín’s striking art, turned the comic into both a battlefield epic and a confessional tragedy. More than a superhero story, it was a war story—one where no one truly won, and Gotham lost the most.