Baby Garfield Issue 4 (2026)

Publisher: BOOM! Studios Published: July 10, 2026

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Baby Garfield Issue 4 (2026) closes out this four part anthology series from BOOM! Studios, and it does exactly what a finale like this should do, it goes out on two stories that are just as sweet and silly as everything that came before. If you have been following this miniseries since it launched back in March, you already know the formula works, take a tiny, extra sassy version of everyone’s favorite lasagna loving cat and put him through a classic early life milestone, then let two different creative teams turn that milestone into something genuinely funny. Issue 4 sticks to that winning format for its last outing, and there is a nice sense of closure in seeing the series end on two more of Garfield’s earliest, most universal firsts.

The first story here is called Baby Garfield’s First Bath, written by Ben Clanton, known for his work on Narwhal and Jelly, with art from Olivia Amoah.

Anyone who has ever tried to bathe a cat already knows where this one is headed, and the story leans fully into that chaos.

There is a real charm in watching a character as famously grumpy as Garfield get reduced to a soggy, indignant kitten fighting against soap and water, and Amoah’s art captures every bit of that over the top frustration in a way that feels genuinely funny rather than just cute for the sake of it.

The second story, Baby Garfield’s First Road Trip, comes from writer Annie Nishida, whose work on Robogobo shows in how she paces a simple premise into something with real momentum, paired with artist Kay Davault.

This one takes baby Garfield out of the house entirely, following a family excursion to see roadside attractions, including a stop at the world’s largest ball of yarn. The joke about cats and yarn being a cliché is pointed out directly in the story itself, which is a nice bit of self awareness that keeps the humor feeling fresh instead of just relying on the obvious gag.

What has made Baby Garfield work so well across all four issues is how much trust the creative teams put in visual comedy over dense plotting.

These are not stories built around twists or complicated setups, they are built around a single relatable idea, bath time, hairballs, a first word, a road trip, and then executed with big expressive art and comic timing that lands. Baby Garfield Issue 4 (2026) keeps that same rhythm going right up until the last page, which honestly makes for a satisfying way to close out the miniseries.

Looking back across the whole run, it is easy to see why this series found an audience so quickly. Issue 1 paired Grace Ellis with Asia Simone for Garfield’s first word, then handed the hairball story to Michael Northrop and Rob Justus, setting the tone for how each issue would rotate through different writer and artist pairings while still feeling like one cohesive book.

Issue 2 leaned into Garfield’s now iconic hatred of Mondays with a story from Stephanie Cooke and Whitney Gardner, while Brittney Williams covered the equally important milestone of his first taste of lasagna. That rotating structure kept the series feeling fresh issue to issue instead of settling into a single creative voice, which is part of why Baby Garfield Issue 4 (2026) still feels just as lively as the debut.

There is also something worth mentioning about how well this series balances nostalgia with something new. Garfield has been around since the late 1970s as a newspaper strip, and plenty of readers grew up on the classic version of the character, grumpy, lazy, obsessed with lasagna. Baby Garfield does not try to rewrite any of that.

Instead it imagines what those defining traits might have looked like in miniature, before Jon Arbuckle ever came into the picture, and that framing gives even longtime fans a reason to see familiar jokes from a completely different angle.

Readers who caught the flashback scenes in the 2024 animated Garfield movie will notice a similar spirit here, taking a small emotional idea and filtering it through the character’s trademark humor rather than playing it completely straight.

Letterer Taylor Esposito deserves a mention too, since a book like this lives and dies on comedic timing, and a lot of that timing comes down to how dialogue and sound effects are placed on the page. Between the exaggerated splashing in the bath story and the road trip chatter in the second, the lettering keeps both stories moving at a pace that matches the energy of the artwork rather than slowing it down.

Small details like an oversized splash effect stretched across a panel or a cramped, overlapping word balloon during a moment of backseat chaos do a lot of quiet work in selling the comedy without needing extra dialogue to explain the joke.

Cover artist Agnes Garbowska’s work on this issue is worth a mention as well, alongside variant covers from Ben Clanton and Dustin Nguyen. Having multiple artists contribute covers across the run gave each issue its own distinct look on shelves, even while the interior stories stayed anchored to that same rotating anthology format.

It is a small touch, but it adds to the sense that this series was treated as a genuine passion project rather than a quick tie in cash grab.

Baby Garfield Issue 4 (2026) also sets up what comes next for readers who have enjoyed this miniseries, since the final page confirms a collected graphic novel edition is coming later this year, gathering all four issues together.

That is a smart move for a book like this, since these short, self contained stories are exactly the kind of thing younger readers tend to revisit again and again rather than read once and move on from.

If this is your first time hearing about the series, it is worth going back to catch the earlier issues to see the full range of firsts baby Garfield goes through, from his very first word to his first hairball and beyond.

You can browse our full library from the homepage to find more all ages and family friendly titles alongside everything else available here.

You can read Baby Garfield Issue 4 (2026) online free right here in HD, and if you want to check out more from BOOM! Studios or see details on the upcoming collected edition, their official listing for the series has more background on the creative teams involved over at BOOM! Studios.

New comics get added here regularly, so check back often if you are looking for more all ages reads like this one, and keep an eye out for that full graphic novel collection later this year if you want all four issues in one place.