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Doom 2099 Issue 40 (1996): Rage Against Time Begins

Published: April 1996
Author: Tom Peyer (Script), Warren Ellis (Plot)
Artist: John Buscema
Inker: Scott Koblish
Colorist: Megan McDowell
Letterer: John Costanza
Cover Artists: John Buscema, Jim Palmiotti
Editor: Joey Cavalieri, Bobbie Chase
Publisher: Marvel Comics

A New Era Begins with Controversy

Doom 2099 Issue 40 (1996) marks a significant and controversial turning point for the series, as the first issue following Warren Ellis’s departure from the title . Released in April 1996, this 36-page installment, titled “Rage Against Time I: Visitation,” features a story plotted by Ellis but scripted by Tom Peyer, with art by the legendary John Buscema .

The issue sets the stage for a radical new direction that would divide fans and ultimately lead to the series’ decline . For readers who want to follow this iconic run from the beginning, readfreecomicsonline.com offers comprehensive access to all issues.

The narrative structure of Doom 2099 Issue 40 (1996) is markedly different from the introspective, character-driven storytelling that defined Ellis’s run. The issue sends the 2099 version of Doctor Doom back in time to the year 1996, where he encounters his past self and a host of Marvel heroes from the modern era .

This crossing of timelines, which includes appearances by Namor, the Fantastic Four, Doctor Strange, and Daredevil, was a deliberate departure from the 2099 universe’s usual isolation . The decision to merge the 2099 timeline with the mainstream Marvel Universe was met with skepticism by fans who had appreciated the 2099 line’s unique identity .

What makes Doom 2099 Issue 40 (1996) particularly controversial is the narrative choice to have Doom travel back in time to save his people. The Latverian population had been devastated by John Herod’s necrotoxin attack in issue #33, and Doom’s plan involves a desperate, and morally questionable, strategy: returning to the past to dose his people with “crab venom” that would render them immune to the future toxin .

This plot point, which one reviewer described as a “little WTF!?!,” is emblematic of the tonal shift that occurred after Ellis’s departure . Readers who appreciate complex superhero storytelling can explore more of Marvel titles at readfreecomicsonline.com.

Time Travel and Unintended Consequences

The central conflict of Doom 2099 Issue 40 (1996) revolves around Doom’s ambitious plan to use a secret time platform to travel back to 1996 and prevent the genocide of his people . The issue opens with Doom having retreated to Myridia, where he has been constructing a new citadel using nanotechnology . However, the weight of his failure to protect Latveria weighs heavily on him, and he decides to take drastic action.

Doom’s plan involves more than just preventing the necrotoxin attack. He intends to make his people immune to the toxin by exposing them to a substance known as “crab venom” . The plot is described by one reviewer as “a little WTF!?!,” suggesting that the logic and execution of the plan may have been questionable .

Regardless of the plot’s coherence, it represents a significant departure from the Ellis era, shifting the focus from political intrigue to more conventional, and arguably sillier, superhero tropes . The issue also introduces a new antagonist, the mysterious “Net Prophet,” who is connected to the overarching plot of the 2099 line .

The time travel premise also allows for the introduction of a new character: “Doom of 1996,” the classic, mainstream version of Victor Von Doom . The 2099 Doom’s encounter with his past self creates a fascinating dynamic, as the two versions of the character, separated by a century of experience and tragedy, are forced to confront each other .

The issue promises to explore the differences between the two Dooms and to examine how the events of the 2099 universe have shaped the character.

The Art of John Buscema

Doom 2099 Issue 40 (1996) features the pencils of John Buscema, a legendary Marvel artist known for his work on The Avengers, Conan, and countless other titles . Buscema’s art brings a sense of classical gravitas to the series, and his depiction of Doom is both powerful and introspective . The cover art by Buscema and Jim Palmiotti, featuring a striking image of Doom, sets the tone for an issue that is both visually compelling and narratively ambitious .

The 36-page issue, priced at $1.95, provides ample space for the creative team to explore the time-travel premise . The colors by Megan McDowell and Malibu (color separations) bring the world of 2099 to life .

The art team’s ability to capture the mood of the script, from the grim determination of Doom to the epic scale of the time-travel sequences, is a testament to their skill . For those who want to experience this artistic mastery firsthand, readfreecomicsonline.com provides easy access to the complete issue in high-quality digital format.

The Controversial Legacy

Doom 2099 Issue 40 (1996) is often cited as the beginning of the end for the series. The decision to move away from the grounded, politically-minded storytelling of the Ellis era and embrace more conventional superhero tropes, including time travel and crossovers, is widely criticized by fans .

As one reader noted, “things go downhill really quickly from here on. I have no issue with both the back-and-forth timelines, it’s sort of inevitable. That said, at least come up with a decent reason why” . The crab venom plot, in particular, is seen as a low point for the character, reducing Doom’s complex motivations to a simplistic and nonsensical gimmick .

The issue also represents the beginning of a broader decline in the 2099 line. The decision to merge the 2099 universe with the mainstream Marvel Universe, which continued in subsequent issues, diluted the unique identity of the 2099 line . As one fan lamented, “I preferred it when 2099 stayed in 2099” .

The legacy of Doom 2099 Issue 40 (1996) is thus a cautionary tale about the dangers of abandoning a successful formula in favor of more conventional, and arguably less interesting, storytelling .

Despite the criticism, Doom 2099 Issue 40 (1996) remains a fascinating artifact of its time, a product of the 1990s comic book industry’s obsession with crossovers and event-driven storytelling. It is a testament to the enduring appeal of Doctor Doom that even a controversial issue like this continues to generate discussion among fans.

Be sure to visit readfreecomicsonline.com to explore this issue and the entire series, and stay connected to the Marvel Universe through the official Marvel website.

Conclusion

Doom 2099 Issue 40 (1996) is a controversial and significant chapter in the series, marking the beginning of a new era following Warren Ellis’s departure. The issue’s time-travel premise, featuring Doom’s encounter with his past self and a host of Marvel heroes, represents a radical departure from the grounded, character-driven storytelling of the Ellis era.

While the issue has its defenders, it is widely seen as the beginning of a decline for the series. For fans of Doom and the 2099 line, this issue is a must-read, if only to understand the controversy and the direction the series would take. Be sure to visit readfreecomicsonline.com to explore this issue and the entire series.

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Frequently Asked Questions

What is Doom 2099 Issue 40 (1996) about?
Doom 2099 Issue 40 (1996), titled “Rage Against Time I: Visitation,” sees the 2099 version of Doctor Doom travel back in time to 1996 to save his people from the necrotoxin attack by dosing them with “crab venom.” He encounters his past self and a host of Marvel heroes from the modern era .

Who wrote and illustrated Doom 2099 Issue 40 (1996)?
The issue was plotted by Warren Ellis, scripted by Tom Peyer, with pencils by John Buscema, inks by Scott Koblish, and colors by Megan McDowell . The cover is by John Buscema and Jim Palmiotti .

When was Doom 2099 Issue 40 (1996) released?
Doom 2099 Issue 40 (1996) was released in April 1996 .

Where can I read Doom 2099 Issue 40 (1996) online?
You can read Doom 2099 Issue 40 (1996) and other installments of the series at readfreecomicsonline.com.

Why is Doom 2099 Issue 40 (1996) considered controversial?
The issue is controversial because it marks a departure from Warren Ellis’s grounded, character-driven storytelling and moves the series toward more conventional superhero tropes, including time travel and crossovers . The “crab venom” plot, in particular, is widely criticized as nonsensical .

Who are the characters in Doom 2099 Issue 40 (1996)?
The issue features Doom of 2099, Doom of 1996, Namor, the Fantastic Four, Doctor Strange, Daredevil, and various characters from the 2099 line .

Is Doom 2099 Issue 40 (1996) part of a larger story?
Yes, the issue is the first part of the “Rage Against Time” storyline, which continues in subsequent issues .

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